With a number of techniques and products being used to create this Fall Pocket Notebook I've put together a tutorial to show you how to recreate it, so here goes!
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Start with the cover - I've shown in previous posts on my blog how to use the Pocket Notebook die cut pieces to create a cover with a flexible spine (see HERE if you've missed it). Cut away the spine pieces from the covers, place one of the spines in the centre separated from the covers by about 1/4 inch each side, and stick together with adhesive backed tape. I then covered the outside of the cover with cotton calico fabric, painting over it with White Gesso and Apricot Acrylic Paint from Dina Wakley Media. To darken the edges try blending them with Watering Can Archival Ink from Wendy Vecchi.
You'll see by clicking on the photo below to enlarge it that I've punched two extra holes in the centre of the spine so that there are three holes at the top, middle and bottom. To add age to the cover spritz over with water and brush on diluted Umber Acrylic Paint. By letting it dry a little and dabbing off the excess you get this watermarked look.
To finish the cover stick patterned paper of your choice onto the inside and re-punch the holes through the fabric and paper layers.
Now for the embellishments; I love using Ranger Alcohol Inks to alter embellishments as they will work on pretty much any surface, dry fast and add a lot of colour with just a drop of ink. First up these adorable silver acorn charms were given a warm brown glow by adding a little Latte Alcohol Ink.
Next a small sprig of Tim Holtz Bouquet Findings needed just a little Lemonade Alcohol Ink to make it pop with a beautiful yellow-orange hue.
Tim Holtz Beaded Berries were transformed for Fall by applying Cranberry and Shell Pink Alcohol Inks to the tips. With a little Espresso Alcohol Ink on the stems they were ready to bend into shape.
These Antique Bronze Leaf Charms are incredibly detailed - after being given a coat of White Gesso a little Lettuce Alcohol Ink was added to make them more lifelike.
A much larger Bronze Leaf Embellishment needed to contrast with the vibrant Fall colours used for the rest of the floral bundle. Again, White Gesso was applied, followed by Gunmetal Mixative Alcohol Ink.
Now for the moulding; I pushed air drying clay into one side of the Prima Marketing Finnabair Kingsbury Medallion, ensuring the surface was smoothed over to make it flat and remove any excess clay. Linda now stocks the new tubs of Prima Marketing Redesign Air Dry Modeling Material which will be ideal for this. You don't always need to use the whole of a design to get a dramatic impact.
Whilst wet turn out the moulded piece onto a stamping block (or similar) and add a little wet glue to the upturned surface.
Flip the stamping block over onto the front cover to apply the moulded piece to it - as everything is still wet at this stage there's time to wiggle it all into the desired position. I left the clay to air dry as required and waited for the colour to change to a crisper white.
Once dry it's time to start adding the altered embellishments. I glued a piece of muslin next to the moulded piece to disguise the unfinished edges and added the large leaf to the top; you'll see from the photo below that you can shape the leaf easily by bending it with your fingers. Carry on adding the other bits and pieces that you've coloured into an arrangement you're happy with.
Creating the signatures inside is easy as Eileen Hull's Pocket Notebook die cuts the pages as well as the covers. Fold your choice of papers in half, lay the folded edge along the blank side of the die and cut! I chose to use tea stained old scrapbook papers and copier paper to coordinate with the cover.
Use a sharp tool to stab a hole into the centre of each set of signatures. I chose a coordinating colour of jute string to secure them in place. Start by threading the string from one of the centre holes on the outside of the spine through to the inside and through the corresponding hole in the signature. Then take the string to the top of the signature and push the string through one of the top holes in the spine.
Now thread the string back through the centre hole in the spine to the middle of the signature before pushing it through one of the holes in the bottom of the spine.
The photo below shows where the string has gone through the spine, into the signature, back out to the top, back through the middle, down to the bottom and out. Finish each one by tying the string off in the centre.
When finished you'll end up with three sets of knotted jute string on the outside of the spine. These can be embellished further with beads and charms, but I chose to tie them together and untwist the jute to create a tassle.
When finished you'll have a Fall themed Pocket Notebook with three signatures inside. Here are some close ups;
Thanks for visiting to catch today's Saturday Showcase tutorial - I hope you've found it helpful. There's still plenty of time to enter the current Funkie Junkie Boutique Blog challenge 'Fabulous Fall' to be in with the chance of being a Guest Designer here. We look forward to seeing your amazing creations.
Jenny
Products used to create this Faux Finish Pocket Notebook are available from The Funkie Junkie Boutique and are listed/linked below.
Eileen Hull Designs Sizzix Scoreboards XL Die - Pocket Notebook
Prima Marketing Finnabair Mould - Kingsbury Medallion
Prima Marketing Redesign Air Dry Modeling Material
Ranger Alcohol Inks
Dina Wakley Media Acrylic Paints and Gesso
Tim Holtz Idea-Ology Bouquet Findings
Tim Holtz Idea-Ology Beaded Berries
Tim Holtz Idea-Ology Jute String
Antique Silver Acorn Charms
Antique Bronze Leaf Charms
Bronze Leaf Embellishments
Prima Marketing Finnabair Mould - Kingsbury Medallion
Prima Marketing Redesign Air Dry Modeling Material
Ranger Alcohol Inks
Dina Wakley Media Acrylic Paints and Gesso
Tim Holtz Idea-Ology Bouquet Findings
Tim Holtz Idea-Ology Beaded Berries
Tim Holtz Idea-Ology Jute String
Antique Silver Acorn Charms
Antique Bronze Leaf Charms
Bronze Leaf Embellishments
A fabulous book Jenny and a wonderful tutorial - thank you! I love the watercoloured calico and what a great way to enclose the signatures and make the lacing a feature. Thanks for so much inspiration! Jennie x
ReplyDeleteThank you so much Jennie! I love your books so much too and you definitely inspire me xx
DeleteLove what you did with the alcohol inks!
ReplyDeleteThank you so much Nancy! They are such great inks and can get forgotten sometimes xx
DeleteWhat a gorgeous notebook Jenny! Love every aspect of it. Thanks for sharing.
ReplyDeleteThank you Judy - so glad you like it xx
DeleteThis is fabulous! I really need to pull out my alcohol inks! Thanks for the tutorial!
ReplyDeleteThank you so much Karen! I'm so glad you are going to get out those alcohol inks xx
DeleteWonderful journal cover! I really love the Air Dry Modeling Paste creation for the cover!
ReplyDeleteThank you Lagene! Glad you like the molded piece on the cover xx
DeleteFabulous Jenny! A beautiful journal and a great tutorial ! Toni X
ReplyDeleteThank you Toni! I'm so glad you like it xx
DeleteWhat a wonderful tutorial and a fabulous journal, Jenny! I was leaning in close to soak up all the wonderful details. You really have mastered the art of creating a proper book. Thanks, as always, for the inspiration! xo
ReplyDeleteThank you so much Kathy! I'm so glad you enjoyed seeing it xx
DeleteWhat a fabulous fall journal! I love the way you've colored the calico cover giving it a beautiful organic look to set the stage for that gorgeous moulded piece and and wonderfully altered embellishments. Your clever way of securing the signatures with thread is both functional and adds to the beauty of this magnificent journal. My apologies for my late visit, but I'm thrilled to be here, finally!
ReplyDeleteThank you so much Sara Emily! I'm thrilled you've enjoyed seeing how it xx
DeleteI just love �� this !! It's so so pretty.. I love fall colours too an you have put them on so nice ... ���� xoxo Christy
ReplyDelete